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National Post to Camilla: You're not as pretty as Diana, therefore we don't like you

So the heir to the British throne and his latest wife are on our continent for the first time since their wedding, and misogynistic royal watchers are eagerly gaping for any opportunity to list the ways that Camilla isn't a thing like the overexposed, uberexpensive, recast-Candle-in-the-Wind, bulimic Princess Die Di.

Oh, I'm sorry.  Was that in poor taste? If you thought so, you're probably still experiencing the aftermath of the "Diana can do no wrong" cult, founded on the principle that the stylish woman who took her gloves off to embrace AIDS hospice patients can be forgiven for all sins against propriety, gender or good taste.   

Certainly the National Post is still captivated by such echoes of the dead princess, choosing to recast Camilla with Diana's public identification of her as "the Rottweiler," and, despite the newfound surge, in "Camilla chic," chastising the Duchess of Cornwall's former "frumpy" duds:

For her part, the Duchess will play up her no-nonsense, hard-nosed charm, and with the help of her dressing staff, lend fresh meaning to the fledgling phrase "Camilla chic." Whatever it means, it at least marks the end of her frumpy public image, best characterized by Princess Diana as "the Rottweiler."

Whereas the preciously coiffed and ever-princessy Diana presumably made all of her clothing decisions herself, the National Post wants Canadians to note that Camilla has yet to master the complexity of buttons and zippers, and is helpless without "the help of her dressing staff." Whatever "Camilla chic" means, it's irrelevant to any of us New Worlders, really, since she used to be frumpy, the ultimate in unforgivable sins for a woman to commit.  What, be brash, dirty and actually ride in her riding clothes, instead of parading them down a red carpet? That old boot.  What a way for a woman to behave!

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I read: codex

  • Hugh Maclean: Ben Jonson and the cavalier poets;: Authoritative texts, criticism (A Norton critical edition)
    My love for the Norton Critical Edition knows no bounds of decorum, what with the footnotes handily dangling at the bottom of the page, the effective but not-excessive use of white space and the pages and pages of charming formalist criticism handily excerpted for one's edifying pleasure, and this fine specimen is not only crammed with the verses of Carew and Herrick and Shirley and Waller and Suckling, but the Benniest of Bens himself. Aaaaaah.
  • Margaret Atwood: Strange Things : The Malevolent North in Canadian Literature  (Clarendon Lectures in English Literature)

    Margaret Atwood: Strange Things : The Malevolent North in Canadian Literature (Clarendon Lectures in English Literature)
    Right to the frosty tips of my Maritime 'burg nestles the omnipresent appreciation of all things Canadian - lest not forget, 'natch, that this is Lower Canada, first founded, settled by those who settled and therefore most appropriate dwelling-place for some serious CanLitticism on a chilly eve - a hunger best feasted with the reigning Empress of post-Dominion Culture, here her own splendid Wendigo-fed self most engaging with a bemused discussion of the particular neuroses provoked by our frozen mythoscape that are so lovingly delineated by myriad earnest PhD dissertations from sea to sea to sea.

  • Candace Savage: Crows : Encounters with the Wise Guys

    Candace Savage: Crows : Encounters with the Wise Guys
    Seduced by the caw of the wild that blankets the UNB campus with a murderous cacophany of harbingers of death at the same time every fall, I put this on my Chrismas list hoping for some new insight into these amazing creatures that mimic human speech and modified tool use - instead, I found surprizingly mediocre musings on evolutionary biology from an unqualified, underresearching hack writer made bearable only by a bevy of lovely photographs and images of our witty black-feathered bretheren.

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